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No Story

TO AVOID HAVING THIS BOOK HURLED INTO CORNER OF THE ROOM by the suspicious reader, I will assert in time that this is not a newspaper story. You will encounter no shirt-sleeved, omniscient city editor, no prodigy «cub» reporter just off the farm, no scoop, no story - no anything. But if you will concede me the setting of the first scene in the reporters' room of the Morning Beacon, I will repay the favor by keeping strictly my promises set forth above. I was doing space-work on the Beacon, hoping to be put on a salary. Some one had cleared with a rake or a shovel a small space for me at the end of a long table piled high with exchanges, Congressional Records, and old files. There I did my work. I wrote whatever the city whispered or roared or chuckled to me on my diligent wanderings about its streets. My income was not regular. One day Tripp came in and leaned on my table. Tripp was something in the mechanical department - I think he had something to do with the pictures, for he smelled of photographers' supplies, and his hands were always stained and cut up with acids. He was about twenty-five and looked forty. Half of his face was covered with short, curly red whiskers that looked like a door-mat with the «welcome» left off. He was pale and unhealthy and miserable and fawning, and an assiduous borrower of sums ranging from twenty-five cents to a dollar. One dollar was his limit. He knew the extent of his credit as well as the Chemical National Bank knows the amount of H20 that collateral will show on analysis. When he sat on my table he held one hand with the other to keep both from shaking. Whiskey. He had a spurious air of lightness and bravado about him that deceived no one, but was useful in his borrowing because it was so pitifully and perceptibly assumed.
This day I had coaxed from the cashier five shining silver dollars as a grumbling advance on a story that the Sunday editor had reluctantly accepted. So if I was not feeling at peace with the world, at least an armistice had been declared; and I was beginning with ardor to write a description of the Brooklyn Bridge by moonlight.
“Well, Tripp,” said I, looking up at him rather impatiently, “how goes it?” He was looking today more miserable, more cringing and haggard and downtrodden than I had ever seen him. He was at that stage of misery where he drew your pity so fully that you longed to kick him.
“Have you got a dollar?” asked Tripp, with his most fawning look and his dog-like eyes that blinked in the narrow space between his highgrowing matted beard and his low-growing matted hair.
“I have,” said I; and again I said, “I have,” more loudly and inhospitably, “and four besides. And I had hard work corkscrewing them out of old Atkinson, I can tell you. And I drew them,” I continued, «to meet a want - a hiatus - a demand - a need - an exigency - a requirement of exactly five dollars.”
I was driven to emphasis by the premonition that I was to lose one of the dollars on the spot.
“I don't want to borrow any,” said Tripp, and I breathed again. “I thought you'd like to get put onto a good story,” he went on. “I've got a rattling fine one for you. You ought to make it run a column at least. It'll make a dandy if you work it up right. It'll probably cost you a dollar or two to get the stuff. I don't want anything out of it myself.”
I became placated. The proposition showed that Tripp appreciated past favors, although he did not return them. If he had been wise enough to strike me for a quarter then he would have got it.
“What is the story?” I asked, poising my pencil with a finely calculated editorial air.
“I'll tell you,” said Tripp. “It's a girl. A beauty. One of the howlingest Amsden's Junes you ever saw. Rosebuds covered with dewviolets in their mossy bed - and truck like that. She's lived on Long Island twenty years and never saw New York City before. I ran against her on Thirty-fourth Street. She'd just got in on the East River ferry. I tell you, she's a beauty that would take the hydrogen out of all the peroxides in the world. She stopped me on the street and asked me where she could find George Brown. Asked me where she could find George Brown in New York City! What do you think of that?
“I talked to her, and found that she was going to marry a young farmer named Dodd - Hiram Dodd - next week. But it seems that George Brown still holds the championship in her youthful fancy. George had greased his cowhide boots some years ago, and came to the city to make his fortune. But he forgot to remember to show up again at Greenburg, and Hiram got in as second-best choice. But when it comes to the scratch Ada - her name's Ada Lowery - saddles a nag and rides eight miles to the railroad station and catches the 6.45 A.M. train for the city. Looking for George, you know - you understand about women - George wasn't there, so she wanted him.
“Well, you know, I couldn't leave her loose in Wolftown-on-the-Hudson. I suppose she thought the 
first person she inquired of would say: 'George Brown? - why, yes - lemme see - he's a short man with light-blue eyes, ain't he? Oh yes - you'll find George on One Hundred and Twenty-fifth Street, right next to the grocery. He's bill-clerk in a saddleand-harness store.' That's about how innocent and beautiful she is. You know those little Long Island water-front villages like Greenburg - a couple of duck-farms for sport, and clams and about nine summer visitors for industries. That's the kind of a place she comes from. But, say - you ought to see her!
“What could I do? I don't know what money looks like in the morning. And she'd paid her last cent of pocket-money for her railroad ticket except a quarter, which she had squandered on gum-drops. She was eating them out of a paper bag. I took her to a boarding-house on Thirty-second Street where I used to live, and hocked her. She's in soak for a dollar. That's old Mother McGinnis' price per day. I'll show you the house.”
“What words are these, Tripp?” said I. “I thought you said you had a story. Every ferryboat that crosses the East River brings or takes away girls from Long Island.”
The premature lines on Tripp's face grew deeper. He frowned seriously from his tangle of hair. He separated his hands and emphasized his answer with one shaking forefinger.
“Can't you see,” he said, “what a rattling fine story it would make? You could do it fine. All about the romance, you know, and describe the girl, and put a lot of stuff in it about true love, and sling in a few stickfuls of funny business - joshing the Long Islanders about being green, and, well - you know how to do it. You ought to get fifteen dollars out of it, anyhow. And it'll cost you only about four dollars. You'll make a clear profit of eleven.”
“How will it cost me four dollars?” I asked, suspiciously. 
“One dollar to Mrs. McGinnis,” Tripp answered, promptly, “and two dollars to pay the girl's fare back home.” 
“And the fourth dimension?” I inquired, making a rapid mental calculation. 
“One dollar to me,” said Tripp. “For whiskey. Are you on?”
I smiled enigmatically and spread my elbows as if to begin writing again. But this grim, abject, specious, subservient, burr-like wreck of a man would not be shaken off. His forehead suddenly became shiningly moist.
“Don't you see,” he said, with a sort of desperate calmness, “that this girl has got to be sent home today - not tonight nor tomorrow, but today? I can't do anything for her. You know, I'm the janitor and corresponding secretary of the Down-and-Out Club. I thought you could make a newspaper story out of it and win out a piece of money on general results. But, anyhow, don't you see that she's got to get back home before night?”
And then I began to feel that dull, leaden, soul-depressing sensation known as the sense of duty. Why should that sense fall upon one as a weight and a burden? I knew that I was doomed that day to give up the bulk of my store of hard-wrung coin to the relief of this Ada Lowery. But I swore to myself that Tripp's whiskey dollar would not be forthcoming. He might play knight-errant at my expense, but he would indulge in no wassail afterward, commemorating my weakness and gullibility. In a kind of chilly anger I put on my coat and hat.
Tripp, submissive, cringing, vainly endeavoring to please, conducted me via the street-cars to the human pawn-shop of Mother McGinnis. I paid the fares. It seemed that the collodion-scented Don Quixote and the smallest minted coin were strangers.
Tripp pulled the bell at the door of the mouldly red-brick boardinghouse. At its faint tinkle he paled, and crouched as a rabbit makes ready to spring away at the sound of a hunting-dog. I guessed what a life he had led, terror-haunted by the coming footsteps of landladies.
“Give me one of the dollars - quick!” he said.
The door opened six inches. Mother McGinnis stood there with white eyes - they were white, I say - and a yellow face, holding together at her throat with one hand a dingy pink flannel dressing-sack. Tripp thrust the dollar through the space without a word, and it bought us entry.
“She's in the parlor,” said the McGinnis, turning the back of her sack upon us.
In the dim parlor a girl sat at the cracked marble centre-table weeping comfortably and eating gum-drops. She was a flawless beauty. Crying had only made her brilliant eyes brighter. When she crunched a gum-drop you thought only of the poetry of motion and envied the senseless confection. Eve at the age of five minutes must have been a ringer for Miss Ada Lowery at nineteen or twenty. I was 
introduced, and a gum-drop suffered neglect while she conveyed to me a naive interest, such as a puppy dog (a prize winner) might bestow upon a crawling beetle or a frog.
Tripp took his stand by the table, with the fingers of one hand spread upon it, as an attorney or a master of ceremonies might have stood. But he looked the master of nothing. His faded coat was buttoned high, as if it sought to be charitable to deficiencies of tie and linen.
I thought of a Scotch terrier at the sight of his shifty eyes in the glade between his tangled hair and beard. For one ignoble moment I felt ashamed of having been introduced as his friend in the presence of so much beauty in distress. But evidently Tripp meant to conduct the ceremonies, whatever they might be. I thought I detected in his actions and pose an intention of foisting the situation upon me as material for a newspaper story, in a lingering hope of extracting from me his whiskey dollar.
“My friend” (I shuddered), “Mr. Chalmers,” said Tripp, “will tell you, Miss Lowery, the same that I did. He's a reporter, and he can hand out the talk better than I can. That's why I brought him with me.” (Tripp, wasn't it the silver-tongued orator you wanted?) “He's wise to a lot of things, and he'll tell you now what's best to do.”
I stood on one foot, as it were, as I sat in my rickety chair.
“Why - er - Miss Lowery,” I began, secretly enraged at Tripp's awkward opening, “I am at your service, of course, but - er - as I haven't been apprized of the circumstances of the case, I - er – “
“Oh,” said Miss Lowery, beaming for a moment, “it ain't as bad as that - there ain't any circumstances. It's the first time I've ever been in New York except once when I was five years old, and I had no idea it was such a big town. And I met Mr. - Mr. Snip on the street and asked him about a friend of mine, and he brought me here and asked me to wait.”
“I advise you, Miss Lowery,” said Tripp, “to tell Mr. Chalmers all. He's a friend of mine” (I was getting used to it by this time), “and he'll give you the right tip.”
“Why, certainly,” said Miss Ada, chewing a gum-drop toward me. “There ain't anything to tell except that - well, everything's fixed for me to marry Hiram Dodd next Thursday evening. He has got two hundred acres of land with a lot of shore-front, and one of the best truck-farms on the Island. But this morning I had my horse saddled up - he's a white horse named Dancer - and I rode over to the station. I told 'em at home I was going to spend the day with Susie Adams. It was a story, I guess, but I don't care. And I came to New York on the train, and I met Mr. - Mr. Flip on the street and asked him if he knew where I could find G - G – “
“Now, Miss Lowery,” broke in Tripp, loudly, and with much bad taste, I thought, as she hesitated with her word, «you like this young man, Hiram Dodd, don't you? He's all right, and good to you, ain't he?”
“Of course I like him,” said Miss Lowery emphatically. “Hi's all right. And of course he's good to me. So is everybody.”
I could have sworn it myself. Throughout Miss Ada Lowery's life all men would be to good to her. They would strive, contrive, struggle, and compete to hold umbrellas over her hat, check her trunk, pick up her handkerchief, buy for her soda at the fountain.
“But,” went on Miss Lowery, “last night got to thinking about G - George, and I – ”
Down went the bright gold head upon dimpled, clasped hands on the table. Such a beautiful April storm! Unrestrainedly sobbed. I wished I could have comforted her. But I was not George. And I was glad I was not Hiram - and yet I was sorry, too.
By-and-by the shower passed. She straightened up, brave and half-way smiling. She would have made a splendid wife, for crying only made her eyes more bright and tender. She took a gum-drop and began her story.
“I guess I'm a terrible hayseed,” she said between her little gulps and sighs, “but I can't help it. G - George Brown and I were sweethearts since he was eight and I was five. When he was nineteen - that was four years ago - he left Greenburg and went to the city. He said he was going to be a policeman or a railroad president or something. And then he was coming back for me. But I never heard from him any more. And I - I - liked him.”
Another flow of tears seemed imminent, but Tripp hurled himself into the crevasse and dammed it. Confound him, I could see his game. He was trying to make a story of it for his sordid ends and profit.
“Go on, Mr. Chalmers,” said he, “and tell the lady what's the proper caper. That's what I told her - you'd hand it to her straight. Spiel up.”
I coughed, and tried to feel less wrathful toward Tripp. I saw my duty. Cunningly I had been inveigled, but I was securely trapped. Tripp's first dictum to me had been just and correct. The young lady must be sent back to Greenburg that day. She must be argued with, convinced, assured, instructed, ticketed, and returned without delay. I hated Hiram and despised George; but duty must be done.
Noblesse oblige and only five silver dollars are not strictly romantic compatibles, but sometimes they can be made to jibe. It was mine to be Sir Oracle, and then pay the freight. So I assumed an air that mingled Solomon's with that of the general passenger agent of the Long Island Railroad.
“Miss Lowery,” said I, as impressively as I could, “life is rather a queer proposition, after all.”
 There was a familiar sound to these words after I had spoken them, and I hoped Miss Lowery had never heard Mr. Cohan's song. “Those whom we first love we seldom wed. Our earlier romances, tinged with the magic radiance of youth, often fail to materialize.” 
The last three words sounded somewhat trite when they struck the air. “But those fondly cherished dreams,” I went on, “may cast a pleasant afterglow on our future lives, however impracticable and vague they may have been. But life is full of realities as well as visions and dreams. One cannot live on memories. May I ask, Miss Lowery, if you think you could pass a happy - that is, a contented and harmonious life with Mr.-er - Dodd - if in other ways than romantic recollections he seems to - er - fill the bill, as I might say?”
“Oh, Hi's all right,” answered Miss Lowery. “Yes, I could get along with him fine. He's promised me an automobile and a motor-boat. But somehow, when it got so close to the time I was to marry him, I couldn't help wishing - well, just thinking about George. Something must have happened to him or he'd have written. On the day he left, he and me got a hammer and a chisel and cut a dime into two pieces. I took one piece and he took the other, and we promised to be true to each other and always keep the pieces till we saw each other again. I've got mine at home now in a ring-box in the top drawer of my dresser. I guess I was silly to come up here looking for him. I never realized what a big place it is.”
And then Tripp joined in with a little grating laugh that he had, still trying to drag in a little story or drama to earn the miserable dollar that he craved.
“Oh, the boys from the country forget a lot when they come to the city and learn something. I guess George, maybe, is on the bum, or got roped in by some other girl, or maybe gone to the dogs on account of whiskey or the races. You listen to Mr. Chalmers and go back home, and you'll be all right.”
But now the time was come for action, for the hands of the clock were moving close to noon. Frowning upon Tripp, I argued gently and philosophically with Miss Lowery, delicately convincing her of the importance of returning home at once. And I impressed upon her the truth that it would not be absolutely necessary to her future happiness that she mention to Hi the wonders or the fact of her visit to the city that had swallowed up the unlucky George.
She said she had left her horse (unfortunate Rosinante) tied to a tree near the railroad station. Tripp and I gave her instructions to mount the patient steed as soon as she arrived and ride home as fast as possible. There she was to recount the exciting adventure of a day spent with Susie Adams. She could “fix” Susie - I was sure of that - and all would be well.
And then, being susceptible to the barbed arrows of beauty, I warmed to the adventure. The three of us hurried to the ferry, and there I found the price of a ticket to Greenburg to be but a dollar and eighty cents. I bought one, and a red, red rose with the twenty cents for Miss Lowery. We saw her aboard her ferryboat, and stood watching her wave her handkerchief at us until it was the tiniest white patch imaginable. And then Tripp and I faced each other, brought back to earth, left dry and desolate in the shade of the sombre verities of life.
The spell wrought by beauty and romance was dwindling. I looked at Tripp and almost sneered. He looked more careworn, contemptible, and disreputable than ever. I fingered the two silver dollars remaining in my pocket and looked at him with the half-closed eyelids of contempt. He mustered up an imitation of resistance.
“Can't you get a story out of it?” he asked, huskily. “Some sort of a story, even if you have to fake part of it?”
“Not a line,” said I. “I can fancy the look on Grimes' face if I should try to put over any slush like this. But we've helped the little lady out, and that'll have to be our only reward.”
“I'm sorry,” said Tripp, almost inaudibly. “I'm sorry you're out your money. Now, it seemed to me like a find of a big story, you know - that is, a sort of thing that would write up pretty well.”
“Let's try to forget it,” said I, with a praiseworthy attempt at gayety, “and take the next car 'cross town.”
I steeled myself against his unexpressed but palpable desire. He should not coax, cajole, or wring from me the dollar he craved. I had had enough of that wild-goose chase.
Tripp feebly unbuttoned his coat of the faded pattern and glossy seams to reach for something that had once been a handkerchief deep down in some obscure and cavernous pocket. As he did so I caught the shine of a cheap silver-plated watch-chain across his vest, and something dangling from it caused me to stretch forth my hand and seize it curiously. It was the half of a silver dime that had been cut in halves with a chisel. “What!” I said, looking at him keenly.
“Oh yes,” he responded, dully. “George Brown, alias Tripp, what's the use?”
Barring the W. C. T. U., I'd like to know if anybody disapproves of my having produced promptly from my pocket Tripp's whiskey dollar and unhesitatingly laying it in his hand.

Tasks
Vocabulary
II. Give definitions of these lexical units relying on an English-English dictionary, translate these definitions into Russian and make up sentences with them:

1. to have a spurious air;
2. premonition;
3. to hold the championship;
4. to leave smb loose;
5. a flawless beauty;
6. to make a splendid wife;
7. to convince smb of smth;
8. to swallow up;
9. to see smb aboard;
10. to look contemptible.

Speaking
IV. Answer the questions:

1. How many characters are mentioned in this story? What are their names and occupations?
2. What kind of work did the reporter do? Why did the reporter had very little money?
3. What was Tripp? Why did Tripp look much older than his age?
4. In what way did Tripp meet the girl?
5. What made Ada come to New York? What kind of a lie did Ada tell her mother?
6. Why did Ada have no idea what a big city New York was?
7. In what way did the reporter help the girl?
8. Why was the girl crying in the parlor?
9. Who was George Brown? What was the reason George Brown had gone to the city?
10. Why did Tripp look more miserable than ever when Ada had left for the village?
11. What made the reporter give one dollar to Tripp?
12. How can you comment on the title of the story?
13. What is the main idea of the story?
14. Do you think young people have similar problems when coming to a big city as they had in the days of the writer?